WRITING QUOTES VI

quotations about writing


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Well, when I was a young writer the people we read were Hemingway, Fitzgerald, Sartre, Camus, Celine, Malraux. And to begin with, I was a bit of a copycat writer and very derivative and tried to write a novel using their voices, really.... I keep it out of print.

MORDECAI RICHLER
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interview, Brick 81, 1989


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When I am working on a book or a story I write every morning as soon after first light as possible. There is no one to disturb you and it is cool or cold and you come to your work and warm as you write. You read what you have written and, as you always stop when you know what is going to happen next, you go on from there. You write until you come to a place where you still have your juice and know what will happen next and you stop and try to live through until the next day when you hit it again. You have started at six in the morning, say, and may go on until noon or be through before that. When you stop you are as empty, and at the same time never empty but filling, as when you have made love to someone you love. Nothing can hurt you, nothing can happen, nothing means anything until the next day when you do it again. It is the wait until the next day that is hard to get through.

ERNEST HEMINGWAY

The Paris Review, spring 1958


It is the specialist's task to talk about means, about centimeters. An artist's task is to talk about the goal, about kilometers, thousands of kilometers. The organizing role of art consists of infecting the reader, of arousing him with pathos or irony -- the cathode and anode in literature. But irony that is measured in centimeters is pathetic, and centimeter-sized pathos is ridiculous. No one can be carried away by it. To stir the reader, the artist must speak not of means but of ends, of the great goal toward which mankind is moving.

YEVGENY ZAMYATIN

The Goal

Tags: Yevgeny Zamyatin


You don't have to be a good person to be a good writer--history shows it's better if you're not--but you have to understand your badness.

PETER ABRAHAMS

End of Story

Tags: Peter Abrahams


When I write, I feel like an armless, legless man with a crayon in his mouth.

KURT VONNEGUT

attributed, The Biteback Dictionary of Humorous Literary Quotations

Tags: Kurt Vonnegut


It is the glory and the merit of some men to write well, and of others not to write at all.

JEAN DE LA BRUYÈRE

"Of Works of the Mind", Les Caractères

Tags: Jean de La Bruyère


To those who no longer have a homeland, writing becomes home.

THEODOR W. ADORNO

Minima Moralia

Tags: Theodor W. Adorno


To write as if your life depended on it; to write across the chalkboard, putting up there in public the words you have dredged; sieved up in dreams, from behind screen memories, out of silence--words you have dreaded and needed in order to know you exist.

ADRIENNE RICH

What Is Found There: Notebooks on Poetry and Politics

Tags: Adrienne Rich


Completing a book, it's a little like having a baby.... There's a feeling of relief and satisfaction when you get to the end. A feeling that you have brought your family, your characters, home. Then a sort of post-natal depression and then, very quickly, the horizon of a new book. The consolation that next time I will do it better.

JOHN LE CARRÉ

interview, The Telegraph, August 31, 2010


Young writers if they are to mature require a period of between three and seven years in which to live down their promise. Promise is like the mediaeval hangman who after settling the noose, pushed his victim off the platform and jumped on his back, his weight acting a drop while his jockeying arms prevented the unfortunate from loosening the rope. When he judged him dead he dropped to the ground.

CYRIL CONNOLLY

Enemies of Promise


You have to seduce the reader, manipulate their mind and heart, listen to the music of language. I sometimes think of prose as music, in terms of its rhythms and dynamics, the way you compress and expand the attention of a reader over a sentence, the way the tempo pushes you towards an image or sensation. We want an intense experience, so that we can forget ourselves when we enter the world of the book. When you are reading, the physical object of the book should disappear from your hands.

CARLOS RUIZ ZAFON

"The Shadow Maker", The Telegraph, November 27, 2005

Tags: Carlos Ruiz Zafon


For a sentence is not complete unless each word, once its syllables have been pronounced, gives way to make room for the next.

ST. AUGUSTINE

Confessions

Tags: St. Augustine


When the first-rate author wants an exquisite heroine or a lovely morning, he finds that all the superlatives have been worn shoddy by his inferiors. It should be a rule that bad writers must start with plain heroines and ordinary mornings, and, if they are able, work up to something better.

F. SCOTT FITZGERALD

Notebooks


I'm grateful when stories come in a rush, although I keep an eye on them afterwards, to see whether they hold together. It's harder to judge the ones that took so long to finish. With those, I've lost perspective. Mostly I'm just glad that I can be done with them.

KELLY LINK

"Words by Flashlight", Sybil's Garage, June 7, 2006

Tags: Kelly Link


Fine writing is generally the effect of spontaneous thoughts and a labored style.

WILLIAM SHENSTONE

Essays on Men and Manners


The economy of a novelist is a little like that of a careful housewife who is unwilling to throw away anything that might perhaps serve its turn. Perhaps the comparison is closer to the Chinese cook who leaves hardly any part of a duck unserved.

GRAHAM GREENE

from journal kept while writing A Burnt-Out Case


Every word written is a net to catch the word that has escaped.

JEANETTE WINTERSON

The Stone Gods

Tags: Jeanette Winterson


For those who do not write and who never have been stirred by the creative urge, talk of muses seems a figure of speech, a quaint concept, but for those of us who live by the Word, our muses are as real and necessary as the soft clay of language which they help to sculpt.

DAN SIMMONS

Hyperion


A story is a letter that the author writes to himself, to tell himself things that he would be unable to discover otherwise.

CARLOS RUIZ ZAFON

The Shadow of the Wind

Tags: Carlos Ruiz Zafon


To subvert is not the aim of literature, its value lies in discovering and revealing what is rarely known, little known, thought to be known but in fact not very well known of the truth of the human world. It would seem that truth is the unassailable and most basic quality of literature.

GAO XINGJIAN

Nobel Lecture, 2000

Tags: Gao Xingjian