quotations about writing
Nothing bad can happen to a writer. Everything is material.
PHILIP ROTH
attributed, Literary Agents: How to Get & Work With the Right One For You
If a high quality of writing is to occur, it is reasonable to acknowledge that an open mind and a critical ear are essential tools that are used during all phases of revision.
GARRETT SAYERS
"Reading Aloud Is Essential to Quality Writing", Liberty Voice, January 31, 2016
After a few days of writing I am as happy to see people as if I've been marooned on a desert island for a month.
ROSEMARY JENKINSON
"Writing is not about youth but about spark", Irish Times, March 27, 2017
Most writer zombies don't realize they are the undead, because they do just enough to convince themselves (and others) that they are actual writers. They talk a lot about writing -- boy, are writer zombies great talkers -- going on for hours about the screenplay or pilot they're supposedly writing or will write once they have the time. They also read writing books and blogs and take seminars because that makes them feel like they are in the game. And they take classes, especially those that impose short-term deadlines, because that gets them writing, which makes them feel alive. But once the class is over, they almost always go back to their zombie ways.
COREY MANDELL
"Beware the Writing Zombies", Huffington Post, February 25, 2016
After being turned down by numerous publishers, he decided to write for posterity.
GEORGE ADE
"The Fable of the Bohemian Who Had Hard Luck", Fables in Slang
There are men that will make you books, and turn them loose into the world, with as much dispatch as they would do a dish of fritters.
MIGUEL DE CERVANTES
Don Quixote
Writing is creative, which is right brain activity. Editing is rational, logical and process/rule driven, which is left-brain activity. It seems that, if you switch consistently between the two, the creative process becomes derailed by all the rules and forms. You scare it back into the shadows.
DAVID CHISLETT
"Editing Is Not Writing", Books LIVE, February 12, 2016
This is our goal as writers, I think; to help others have this sense of--please forgive me--wonder, of seeing things anew, things that can catch us off guard, that break in on our small, bordered worlds.
ANNE LAMOTT
Bird by Bird
My father really taught me that you really develop the habit of writing and you sit down at the same time every day, you don't wait for inspiration. You sit down, it helps your subconscious understand that it's time to start writing and to relax down into that well of dream material and memory and imagination. So, I sit down at the exact same time every day. And I let myself write really awful first drafts of things. I take very short assignments; I will capture for myself in a few words what I'm going to be trying to do that morning, or in that hour. Maybe I'm going to write a description of the lake out in Inverness in West Marin, where I live. And so I try to keep things really small and manageable. I have a one-inch picture frame on my desk so I can remember that that's all I'm going to be able to see in the course of an hour or two, and then I just let myself start and it goes really badly most mornings; as it does for most writers.
ANNE LAMOTT
interview, Big Think, April 6, 2010
If people did not want their stories told, it would be better for them to keep away from me.
SHERWOOD ANDERSON
A Story Teller's Story
Often I think writing is a sheer paring away of oneself leaving always something thinner, barer, more meager.
F. SCOTT FITZGERALD
letter to "Scottie" Fitzgerald, April 27, 1940
I don't suppose a writing man ever really gets rid of his old crocus-yellow neckties. Sooner or later, I think, they show up in his prose, and there isn't a hell of a lot he can do about it.
J. D. SALINGER
"Seymour: An Introduction"
If you want to write ... You must lurk in libraries and climb the stacks like ladders to sniff books like perfumes and wear books like hats upon your crazy heads.
RAY BRADBURY
attributed, Words from the Wise
When I write, I go to live inside the book. By which I mean, mentally I can experience everything I'm writing about. I can see it, hear its sounds, feel its heat or rain. The characters become better known to me than the closest family or friends. This makes the writing-down part very simple most of the time. I only need to describe what's already there in front of me. That said, it won't be a surprise if I add that the imagined worlds quickly become entangled with the so-called reality of this one. Since I write almost every day, and I think (and dream) constantly about my work, it occurs to me I must spend more time in all these places than here.
TANITH LEE
author's note, Wolf Tower
I believe so. In its beginning, dialogue's the easiest thing in the world to write when you have a good ear, which I think I have. But as it goes on, it's the most difficult, because it has so many ways to function. Sometimes I needed to make a speech do three or four or five things at once--reveal what the character said but also what he thought he said, what he hid, what others were going to think he meant, and what they misunderstood, and so forth--all in his single speech. And the speech would have to keep the essence of this one character, his whole particular outlook in concentrated form. This isn't to say I succeeded. But I guess it explains why dialogue gives me my greatest pleasure in writing.
EUDORA WELTY
The Paris Review, fall 1972
I can't leave a chapter alone until I think it's as good as I can make it at that time. Often I will reach a stage, say, a third of the way into the book, where I realize there's something very wrong. Everything starts to feel shallow and false and unsatisfactory. At that stage I'll go back to the beginning. I might have written only fifty pages, but it's like a cantilever and the whole thing is getting very shaky because I haven't thought things through properly. So I'll start again and I'll write all the way through and then just keep going until it starts to get shaky again, and then I'll go back because I'll know that there's something really considerable, something deeply necessary waiting to be discovered or made. Often these are unbelievably big things. Sometimes they are things that readers will ultimately think the book is about.
PETER CAREY
The Paris Review, summer 2006
The cat sat on the mat is not a story. The cat sat on the other cat's mat is a story.
JOHN LE CARRÉ
attributed, The Creative Compass: Writing Your Way from Inspiration to Publication
As far back as I can remember, I've been writing. I've always had this wild imagination, and I love to embellish stories to make them more interesting. When I was a kid I had all these intricate histories for all my stuffed animals and dollhouse families, which I would type out on this old manual typewriter my parents set up for me in the corner of our TV room. I kept writing all through middle school, and in high school I got diverted a bit, but I picked it up again in college. I really didn't think I'd actually be a writer until I graduated and found that I just couldn't stop and go get a real job. Every time I finished something, another idea would follow right behind. So I went into waitressing and just wrote like crazy. At times it seemed really stupid, since I was totally broke and there was no kind of guarantee that I'd ever see anything come of it. Luckily, it did. But even if I hadn't sold a book by now I'd still be writing. It becomes a part of you, just something you do.
SARAH DESSEN
interview, Puffin Books
It's so easy to get into the same routine. A novel every two years; perhaps, improving technique. But I'm not interested in that. I'm interested in doing something fundamentally important--and therefore, it needs time. And what I've been doing, really, is avoiding this pressure to get into the habit of one novel a year. This is what is expected of novelists. And I have never been really too much concerned with doing what is expected of novelists, or writers, or artists. I want to do what I believe is important.
CHINUA ACHEBE
interview, Okike, 1990
The less attention I pay to what people want and the more attention I pay to just writing the book I want to write, the better I do.
LAWRENCE BLOCK
Newsweek, July 13, 2009