WRITING QUOTES XX

quotations about writing

It is because we have had such great writers in the past that a writer is driven far out past where he can go, out to where no one can help him.

ERNEST HEMINGWAY

Nobel Prize speech, December 10, 1954


I was aware that you weren't supposed to write about suburbia, that it was undignified in some way, the subject matter not momentous enough. And so, for a long time, that kept me from writing about it. But once I began, I realized it was just as interesting as anywhere else.

JEFFREY EUGENIDES

The Paris Review, winter 2011


I didn't want to be ignored. I didn't want my books to be ignored. But I didn't really care to cut such a figure either because ... well, it interferes with the business of writing.

SAUL BELLOW

Q & A at Howard Community College, February 1986


While I am writing, the sea's roar is coming up to me, and I close my eyes. I am looking into an unborn and shapeless world that longs to be called to life and order, I am looking into a throng of phantoms of human forms which beckon me to conjure them and set them free: some of them tragic, some of them ridiculous, and some that are both at once.

THOMAS MANN

Tonio Kröger


Writer's block is only a failure of the ego.

NORMAN MAILER

attributed, A Writer's Time


A great writer creates a world of his own and his readers are proud to live in it. A lesser writer may entice them in for a moment, but soon he will watch them filing out.

CYRIL CONNOLLY

Enemies of Promise


When it's going well [writing] goes terribly fast. It isn't at all surprising to write a chapter in a day, which for me is about twenty-two pages. When it's going badly, it isn't really going badly; it's just the beginning.

JOHN LE CARRÉ

interview, The Paris Review, summer 1997


I gotta pound the keys for the ideas to flow.

KIRBY LARSON

interview, Author Turf, March 6, 2014

Tags: Kirby Larson


The chief advantage that ancient writers can boast over modern ones, seems owing to simplicity. Every noble truth and sentiment was expressed by the former in the natural manner; in word and phrase, simple, perspicuous, and incapable of improvement. What then remained for later writers but affectation, witticism, and conceit?

WILLIAM SHENSTONE

Essays on Men and Manners


My approach to revision hasn't changed much over the years. I know there are writers who do it as they go along, but my method of attack has always been to plunge in and go as fast as I can, keeping the edge of my narrative blade as sharp as possible by constant use, and trying to outrun the novelist's most insidious enemy, which is doubt.

STEPHEN KING

foreword, The Gunslinger

Tags: Stephen King


You keep working on your piece over and over, trying to get the sections and paragraphs and sentences and the whole just right, but there's a point at which you can tell you've begun hurting the work with your perfectionism. Then you have to release the work to new eyes.

ANNE LAMOTT

"Q&A: Anne Lamott", San Diego Magazine, January 27, 2014

Tags: Anne Lamott


Show people your stuff, listen carefully to their responses, but ultimately don't value anyone's opinion above your own. Be influenced by writers you dislike as well as writers you like. Read their stuff to figure out what's wrong. Find a balance between the confidence that allows you continue, and the self-critical facility that enables you to improve. Get the balance wrong on either side, and you're screwed.

ALEX GARLAND

interview with Dennis Widmyer, July 30, 2007

Tags: Alex Garland


Well it's been hard for me to not write, and that's the only process I can speak to I guess, it's so compulsive and I need to do it all the time that sometimes I make myself not do it so I can actually tend to my life. And my life has been in shambles, like my personal relationships, my laundry, paying bills--now I have someone who pays my bills--and it's always been a challenge because it overwhelms me. And just once I start I can go for hours and hours and hours, and sometimes I forget to eat, and the only thing I really break for is to play basketball and to walk around outside and just get some fresh air. A lot of times, days melt away; and when I'm in that zone, I love that it's like going down a rabbit hole that I enjoy.

ADAM RAPP

interview, Broadway Bullet, March 26, 2007

Tags: Adam Rapp


Well, there are certain stock words that I have found myself using a great deal. When I become aware of them, it is an alarm signal meaning I am falling back on something that has served in the past--it is a sign of not thinking at the present moment, not that there is anything intrinsically bad about certain words or phrases.

JOHN ASHBERY

interview, The Paris Review, winter 1983

Tags: John Ashbery


My father really taught me that you really develop the habit of writing and you sit down at the same time every day, you don't wait for inspiration. You sit down, it helps your subconscious understand that it's time to start writing and to relax down into that well of dream material and memory and imagination. So, I sit down at the exact same time every day. And I let myself write really awful first drafts of things. I take very short assignments; I will capture for myself in a few words what I'm going to be trying to do that morning, or in that hour. Maybe I'm going to write a description of the lake out in Inverness in West Marin, where I live. And so I try to keep things really small and manageable. I have a one-inch picture frame on my desk so I can remember that that's all I'm going to be able to see in the course of an hour or two, and then I just let myself start and it goes really badly most mornings; as it does for most writers.

ANNE LAMOTT

interview, Big Think, April 6, 2010

Tags: Anne Lamott


Well, the secret to writing is writing. It's only a secret to people who don't want to hear it. Writing is how you be a writer.

URSULA K. LE GUIN

The Wave in the Mind: Talks and Essays on the Writer, the Reader, and the Imagination

Tags: Ursula K. Le Guin


Most writer zombies don't realize they are the undead, because they do just enough to convince themselves (and others) that they are actual writers. They talk a lot about writing -- boy, are writer zombies great talkers -- going on for hours about the screenplay or pilot they're supposedly writing or will write once they have the time. They also read writing books and blogs and take seminars because that makes them feel like they are in the game. And they take classes, especially those that impose short-term deadlines, because that gets them writing, which makes them feel alive. But once the class is over, they almost always go back to their zombie ways.

COREY MANDELL

"Beware the Writing Zombies", Huffington Post, February 25, 2016


Writers aren't people exactly. Or, if they're any good, they're a whole lot of people trying so hard to be one person. It's like actors, who try so pathetically not to look in mirrors. Who lean backward trying--only to see their faces in the reflecting chandeliers.

F. SCOTT FITZGERALD

The Last Tycoon

Tags: F. Scott Fitzgerald


If you stuff yourself full of poems, essays, plays, stories, novels, films, comic strips, magazines, music, you automatically explode every morning like Old Faithful. I have never had a dry spell in my life, mainly because I feed myself well, to the point of bursting. I wake early and hear my morning voices leaping around in my head like jumping beans. I get out of bed to trap them before they escape.

RAY BRADBURY

attributed, The Writer's Workout

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All good writing is swimming under water and holding your breath.

F. SCOTT FITZGERALD

undated letter to his daughter "Scottie"

Tags: F. Scott Fitzgerald