quotations about writing
Perhaps the pleasure one feels in writing is not the infallible test of the literary value of a page; perhaps it is only a secondary state which is often superadded, but the want of which can have no prejudicial effect on it. Perhaps some of the greatest masterpieces were written while yawning.
MARCEL PROUST
Within a Budding Grove
The art of the word is painting + architecture + music.
YEVGENY ZAMYATIN
The New Russian Prose
To leave the reader free to decide what your work means, that's the real art; it makes the work inexhaustible.
URSULA K. LE GUIN
The Guardian, December 17, 2005
You will always have days when you feel like an amateur. When it feels like everybody else is better than you. You will have this nagging suspicion that someone will eventually find you out, call you on your bullshit, realize you're the literary equivalent of a vagrant painting on the side of a wall with a piece of calcified poop. You will have days when the blank page is like being lost in a blizzard. You will sometimes hate what you wrote today, yesterday, or ten years ago. Bad days are part of the package. You just have to shut them out, swaddle your head in tinfoil, and keep writing anyway.
CHUCK WENDIG
The Kick-Ass Writer
A person is a fool to become a writer. His only compensation is absolute freedom. He has no master except his own soul, and that, I am sure, is why he does it.
ROALD DAHL
Boy
A story has no beginning or end: arbitrarily one chooses that moment from which to look back or from which to look ahead.
GRAHAM GREENE
The End of the Affair
All good writing is swimming under water and holding your breath.
F. SCOTT FITZGERALD
undated letter to his daughter "Scottie"
Any writer of any worth at all hopes to play only a pocket-torch of light -- and rarely, through genius, a sudden flambeau -- into the bloody yet beautiful labyrinth of human experience, of being.
NADINE GORDIMER
Nobel Lecture, December 7, 1991
I couldn't imagine, and I don't say this with any pride, but I really couldn't imagine writing without a desperate deadline.
HUNTER S. THOMPSON
The Paris Review, fall 2000
I like to have a hero a little underpowered. I mean, Spiderman is far cooler than Superman. How do you challenge Superman?
PATRICIA BRIGGS
interview, Bitten by Books, March 30, 2010
I met a young woman the other day, and she said, what advice would you have for a writer, and I said it would be to work every day. But then she said, and how do you get to know someone like Ira Glass? And I said, that's not the point. You don't befriend people for that reason. I was just lucky and Ira happened to be in a place where I was reading one night and heard me read. I didn't invite him to come there. If I had gone out of my way to invite him, he probably wouldn't have come. Your job is to write. The rest of it will take care of itself. But, generally, it seems ... you know how that is, you meet people and they have a talent for self-promotion. Those are the pushy people. And you know their writing's not going to be any good, because that's not their talent.
DAVID SEDARIS
Oasis Magazine, June 2008
I never quite know when I'm not writing. Sometimes my wife comes up to me at a party and says, "Dammit, Thurber, stop writing." She usually catches me in the middle of a paragraph. Or my daughter will look up from the dinner table and ask, "Is he sick?" "No," my wife says, "he's writing something." I have to do it that way on account of my eyes. I still write occasionally--in the proper sense of the word--using black crayon on yellow paper and getting perhaps twenty words to the page. My usual method, though, is to spend the mornings turning over the text in my mind. Then in the afternoon, between two and five, I call in a secretary and dictate to her. I can do about two thousand words. It took me about ten years to learn.
JAMES THURBER
The Paris Review, fall 1955
I would say that the writers I like and trust have at the base of their prose something called the English sentence. An awful lot of modern writing seems to me to be a depressed use of language. Once, I called it "vow-of-poverty prose." No, give me the king in his countinghouse. Give me Updike.
MARTIN AMIS
The Paris Review, spring 1998
If there is an occupational hazard to writing, it's drinking.
CORMAC MCCARTHY
New York Times, April 19, 1992
It's a principle of mine to come into the story as late as possible, and to tell it as fast as you can.
JOHN LE CARRÉ
interview, The Paris Review, summer 1997
It's not the word made flesh we want in writing, in poetry and fiction, but the flesh made word.
WILLIAM H. GASS
On Being Blue
Mostly, we authors must repeat ourselves--that's the truth. We have two or three great moving experiences in our lives--experiences so great and moving that it doesn't seem at the time that anyone else has been so caught up and pounded and dazzled and astonished and beaten and broken and rescued and illuminated and rewarded and humbled in just that way ever before.
F. SCOTT FITZGERALD
"One Hundred False Starts", Saturday Evening Post, March 4, 1933
Much modern prose is praised for its terseness, its scrupulous avoidance of curlicue, etcetera. But I don't feel the deeper rhythm there. I don't think these writers are being terse out of choice. I think they are being terse because it's the only way they can write.
MARTIN AMIS
The Paris Review, spring 1998
The responsibility of the writer is to be a sort of demonic social critic -- to present the world and people in it as he sees it and say, "Do you like it? If you don't like it, change it."
EDWARD ALBEE
interview with Digby Diehl, 1963
There is, as yet, no Act of Parliament compelling a bona fide traveler to read. If you wish him to read, you must make reading pleasant. You must give him short views, and clear sentences.
WALTER BAGEHOT
Literary Studies