quotations about writing
As we understand it, the surest way to make a living by the pen is to raise pigs.
ROBERT ELLIOTT GONZALES
Poems and Paragraphs
Wearing down seven number-two pencils is a good day's work.
ERNEST HEMINGWAY
The Paris Review, spring 1958
All stories are about wolves. All worth repeating, that is. Anything else is sentimental drivel.
MARGARET ATWOOD
The Blind Assassin
The art of the word is painting + architecture + music.
YEVGENY ZAMYATIN
The New Russian Prose
Mostly, we authors must repeat ourselves--that's the truth. We have two or three great moving experiences in our lives--experiences so great and moving that it doesn't seem at the time that anyone else has been so caught up and pounded and dazzled and astonished and beaten and broken and rescued and illuminated and rewarded and humbled in just that way ever before.
F. SCOTT FITZGERALD
"One Hundred False Starts", Saturday Evening Post, March 4, 1933
When I write I don't aim to shock people, and I'm surprised when I do. But I don't think that anything that occurs in life should be omitted from art, though the artist should present it in a fashion that is artistic and not ugly. I set out to tell the truth. And sometimes the truth is shocking.
TENNESSEE WILLIAMS
The Paris Review, fall 1981
However much the writer might long to be, in his work, simple, honest, and straightforward, these virtues are no longer available to him. He discovers that in being simple, honest, and straightforward, nothing much happens: he speaks the speakable, whereas what we are looking for is the as-yet unspeakable, the as-yet unspoken.
DONALD BARTHELME
"Not-Knowing"
I've increasingly been interested in leaving gaps and unresolved elements within a novel, trying to escape from the model of the novel as something in which there is a secret that, when revealed, will make all clear. It seems to me too unlike life, too convenient, too fictional.
ALAN HOLLINGHURST
The Paris Review, winter 2011
Someone watches over us when we write. Mother. Teacher. Shakespeare. God.
MARTIN AMIS
London Fields
I don't believe in the notion that some characters have lives of their own and the author follows after them. The author has to be careful not to force the character to do something that would go against the logic of that character's personality, but the character does not have independence. The character is trapped in the author's hand, in my hand, but he is trapped in a way he does not know he is trapped. The characters are on strings, but the strings are loose; the characters enjoy the illusion of freedom, of independence, but they cannot go where I do not want them to go. When that happens, the author must pull on the string and say to them, I am in charge here.
JOSÉ SARAMAGO
The Paris Review, winter 1998
It's a principle of mine to come into the story as late as possible, and to tell it as fast as you can.
JOHN LE CARRÉ
interview, The Paris Review, summer 1997
There is absolutely everything in great fiction but a clear answer.
EUDORA WELTY
On Writing
What writers do is they tell their own story constantly through other people's stories. They imagine other people, and those other people are carrying the burden of their struggles, their questions about themselves.
TOBIAS WOLFF
Fiction Writers Review, April 5, 2009
The life of a writer is absolute hell ... if he is a writer of fiction he lives in a world of fear. Each new day demands new ideas and he can never be sure whether he is going to come up with them or not.
ROALD DAHL
Boy
How one writes is a bit of a mystery to oneself. You just do it. My experience is that I sit down and write and I make it sound right to me, or sound good or interesting. And that's it.
ADAM PHILLIPS
"Poetry as Therapy", The Guardian, March 29, 2012
Failure has been my best friend as a writer. It tests you, to see if you have what it takes to see it through.
MARKUS ZUSAK
"Why I Write", The Guardian, March 28, 2008
I don't particularly care about having [my characters] talk realistically, that doesn't mean very much to me. Actually, a lot of people speak more articulately than some critics think, but before the 20th century it really didn't occur to many writers that their language had to be the language of everyday speech. When Wordsworth first considered that in poetry, it was considered very much of a shocker. And although I'm delighted to have things in ordinary speech, it's not what I'm trying to perform myself at all: I want my characters to get their ideas across, and I want them to be articulate.
LOUIS AUCHINCLOSS
interview, Bomb Magazine, fall 1997
I write what I want to write. Period. I don't write novels-for-hire using media tie-in characters, I don't write suspense novels or thrillers. I write horror. And if no one wants to buy my books, I'll just keep writing them until they do sell--and get a job at Taco Bell in the meantime.
BENTLEY LITTLE
"The Summoning: An Interview with Bentley Little", Giants of the Genre
Writing is a tough thing and you only get better with practice. Just like free throws.
NICK WESTFALL
"Man writes directorial debut movie 'Finding Home'", myfox8, March 30, 2017
Getting out of bed of a morning has never been a problem, but I've noticed of late that my writing is better in the afternoon. The mornings are methodical, when all the blockwork and first-fix stuff takes place. The ornamentation or even de-ornamentation -- the things that separate writing from writing -- don't seem possible until later in the day, when I've established some perspective.
SIMON ARMITAGE
"Language is my enemy -- I spend my life battling with it", The Guardian, March 25, 2017