quotations about writing
What I cannot thus eliminate, what I must, head down, eyes shut, with the courage of a battalion and the blindness of a bull, charge and disperse are, indubitably, the figures behind the ferns, commercial travellers. There I've hidden them all this time in the hope that somehow they'd disappear, or better still emerge, as indeed they must, if the story's to go on gathering richness and rotundity, destiny and tragedy, as stories should, rolling along with it two, if not three, commercial travellers and a whole grove of aspidistra.
VIRGINIA WOOLF
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"An Unfinished Novel", The Complete Shorter Fiction of Virginia Woolf
Failure has been my best friend as a writer. It tests you, to see if you have what it takes to see it through.
MARKUS ZUSAK
"Why I Write", The Guardian, March 28, 2008
When I sit down to write, I have a lot to write, but beforehand, I don't. I'm not full of ideas. Writing is the way I think.
ADAM PHILLIPS
Bomb Magazine, fall 2010
Get an agent. Seriously, submitting stuff unagented means it will end up on the slush pile. An agent is the first quality filter, and a good agent is worth his or her weight in gold, as they'll often know the editors on a personal level and will be able to talk to them directly about the project.
TIM LEBBON
interview, The Horror Zine
There are three rules for writing the novel. Unfortunately, no one knows what they are.
W. SOMERSET MAUGHAM
attributed, Literary Agents: How to Get & Work with the Right One for You
When you're writing, let's say, an essay for a magazine, you try to tell the truth at every moment. You do your best to quote people accurately and get everything right. Writing a novel is a break from that: freedom. When you're writing a novel, you are in charge; you can beef things up.
NICHOLSON BAKER
interview, Interview Magazine, September 16, 2013
If you don't have the time to read, you don't have the time or the tools to write.
STEPHEN KING
On Writing
As for the story, whether the poet takes it ready made or constructs it for himself, he should first sketch its general outline, and then fill in the episodes and amplify in detail.
ARISTOTLE
Poetics
A novel is balanced between a few true impressions and the multitude of false ones that make up most of what we call life.
SAUL BELLOW
Nobel lecture, December 12, 1976
Pay attention only to the form; emotion will come spontaneously to inhabit it. A perfect dwelling always finds an inhabitant. The artist's business is to build the dwelling; as for the inhabitant, it is up to the reader to provide him.
ANDRE GIDE
Pretexts: Reflections on Literature and Morality
Writing is always a rough translation from wordlessness into words.
CHARLES SIMIC
attributed, Stealing Glimpses: Of Poetry, Poets, and Things in Between
Without a pen in my hand I can't think.
JOHN LE CARRÉ
interview, The Paris Review, summer 1997
First forget inspiration. Habit is more dependable. Habit will sustain you whether you're inspired or not. Habit will help you finish and polish your stories. Inspiration won't. Habit is persistence in practice.
OCTAVIA E. BUTLER
"Furor Scribendi", Bloodchild and Other Stories
Write. Don't talk about writing. Don't tell me about your wonderful story ideas. Don't give me a bunch of "somedays." Plant your ass and scribble, type, keyboard. If you have any talent at all, it will leak out despite your failure to pay attention in English.
GLEN COOK
interview, SF Site, September 2005
When I started out I just wanted to write books. I still do. It's the best job in the world for so many reasons. I wanted the thrill of seeing my books on the shelves in bookstores. I still do. The idea of someone reading my work, enjoying it was just amazing--and it still is. The bar rises, and that's a good thing. It pushes us to write smarter, write better, to dig deeper creatively. The bestseller lists, the awards, the sales or movies, they're all really delicious icing. But the work--the stories, the books--that's the cake. Too much icing without a really good, solid cake? It's going to make you fat, lazy and maybe a little bit sick. It's always about the cake first.
NORA ROBERTS
interview, inReads, October 5, 2011
Writing is a solitary pursuit and I think you have to be partially at peace with yourself, but it's the other part that's usually producing the stuff worth reading.
CRAIG JOHNSON
"A Conversation with Craig Johnson", The Cold Dish
How one writes is a bit of a mystery to oneself. You just do it. My experience is that I sit down and write and I make it sound right to me, or sound good or interesting. And that's it.
ADAM PHILLIPS
"Poetry as Therapy", The Guardian, March 29, 2012
Fundamentally, all writing is about the same thing. It's about dying, about the brief flicker of time we have here, and the frustration it creates.
MORDECAI RICHLER
attributed, Mordecai & Me
I don't know where the characters are going to go or what's going to happen. I know that something inevitable will happen. I know that they want certain things and they're in a certain room and they smell like this and they look like that. More often than not, an entropy creeps in that strangles me, and then the inevitable happens. I don't know if I have the ability to write an ending like My Fair Lady's, when everyone gets what they want after a few minor conflicts. If I tried to write that it would just be false. Or I'd have someone enter with a machine gun.
ADAM RAPP
interview, Bomb Magazine, spring 2006
Beginning a book is unpleasant. I'm entirely uncertain about the character and the predicament, and a character in his predicament is what I have to begin with. Worse than not knowing your subject is not knowing how to treat it, because that's finally everything. I type out beginnings and they're awful, more of an unconscious parody of my previous book than the breakaway from it that I want. I need something driving down the center of a book, a magnet to draw everything to it--that's what I look for during the first months of writing something new. I often have to write a hundred pages or more before there's a paragraph that's alive. Okay, I say to myself, that's your beginning, start there; that's the first paragraph of the book.
PHILIP ROTH
Paris Review, fall 1984