WRITING QUOTES XXXI

quotations about writing


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Sometimes I pick up a book and I say: Well, so you've written it first, have you? Good for you. O.K., then I won't have to write it.

DORIS LESSING
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The Golden Notebook


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Tags: Doris Lessing


I'm writing a first draft and reminding myself that I'm simply shoveling sand into a box so that later I can build castles.

SHANNON HALE

attributed, The Novel-Writing Plan


I would be a liar, a hypocrite, or a fool--and I'm not any of those--to say that I don't write for the reader. I do. But for the reader who hears, who really will work at it, going behind what I seem to say. So I write for myself and that reader who will pay the dues.

MAYA ANGELOU

The Paris Review, fall 1990


Fiction is like a spider's web, attached ever so lightly perhaps, but still attached to life at all four corners. Often the attachment is scarcely perceptible; Shakespeare's plays, for instance, seem to hang there complete by themselves. But when the web is pulled askew, hooked up at the edge, torn in the middle, one remembers that these webs are not spun in midair by incorporeal creatures, but are the work of suffering human beings, and are attached to the grossly material things, like health and money and the houses we live in.

VIRGINIA WOOLF

A Room of One's Own

Tags: Virginia Woolf


Everybody has a hard job. All real work is hard. My work happened also to be undoable. Morning after morning for 50 years, I faced the next page defenseless and unprepared. Writing for me was a feat of self-preservation. If I did not do it, I would die. So I did it. Obstinacy, not talent, saved my life.

PHILIP ROTH

"My Life as a Writer", New York Times, March 2, 2014


Writers, especially when they act in a body and with one direction, have great influence on the public mind.

EDMUND BURKE

Reflections on the Revolution in France

Tags: Edmund Burke


The artist deals with what cannot be said in words. The artist whose medium is fiction does this in words. The novelist says in words what cannot be said in words.

URSULA K. LE GUIN

introduction, The Left Hand of Darkness

Tags: Ursula K. Le Guin


My approach to revision hasn't changed much over the years. I know there are writers who do it as they go along, but my method of attack has always been to plunge in and go as fast as I can, keeping the edge of my narrative blade as sharp as possible by constant use, and trying to outrun the novelist's most insidious enemy, which is doubt.

STEPHEN KING

foreword, The Gunslinger

Tags: Stephen King


As a writer I want everybody to get a chance to voice their opinions. If each character thinks that they're telling the truth, then it's valid. Then at the end of the film, I leave it up to the audience to decide who did the right thing.

SPIKE LEE

"Fight the Power: Spike Lee on Do the Right Thing", Rolling Stone, June 20, 2014

Tags: Spike Lee


[Writing is] hostile in that you're trying to make somebody see something the way you see it, trying to impose your idea, your picture. It's hostile to try to wrench around someone else's mind that way. Quite often you want to tell somebody your dream, your nightmare. Well, nobody wants to hear about someone else's dream, good or bad; nobody wants to walk around with it. The writer is always tricking the reader into listening to the dream.

JOAN DIDION

The Paris Review, fall-winter 1978


There's no magic bullet for being a decent writer, or making people bond with your characters or fall in love with your story. Writing is a million different skills and challenges, and each story is different. But the more I struggle to make this work, the more I think there's one key thing that makes writing more excellent: Finding your own blind spots as an author, and trying to see into them.

CHARLIE JANE ANDERS

"The Single Most Important Thing You Can Do To Make Your Writing More Awesome", Gizmodo, February 25, 2016


The public takes from a writer, or a writing, what it needs and lets the remainder go. But what they take is usually what they need least and what they let go is what they need most.

CHARLES BUKOWSKI

Notes of a Dirty Old Man

Tags: Charles Bukowski


The humorous story is told gravely; the teller does his best to conceal the fact that he even dimly suspects that there is anything funny about it.

MARK TWAIN

"How to Tell a Story"

Tags: Mark Twain


Rejection has value. It teaches us when our work or our skillset is not good enough and must be made better. This is a powerful revelation, like the burning UFO wheel seen by the prophet Ezekiel, or like the McRib sandwich shaped like the Virgin Mary seen by the prophet Steve Jenkins. Rejection refines us. Those who fall prey to its enervating soul-sucking tentacles are doomed. Those who persist past it are survivors. Best ask yourself the question: what kind of writer are you? The kind who survives? Or the kind who gets asphyxiated by the tentacles of woe?

CHUCK WENDIG

"25 Things Writers Should Know About Rejection", Terrible Minds


I truly believe that writing is a continuum--so the different genres and forms are simply stops along the same continuum. Different ideas that need to be expressed sometimes require different forms for the ideas to float better.

CHRIS ABANI

interview, UTNE Reader, June 2010

Tags: Chris Abani


Belief in one's identity as a poet or writer prior to the acid test of publication is as naïve and harmless as the youthful belief in one's immortality ... and the inevitable disillusionment is just as painful.

DAN SIMMONS

Hyperion


As we understand it, the surest way to make a living by the pen is to raise pigs.

ROBERT ELLIOTT GONZALES

Poems and Paragraphs

Tags: Robert Elliott Gonzales


You never know what you will learn till you start writing. Then you discover truths you never knew existed.

ANITA BROOKNER

attributed, Journal for You, 2003


To me the question is always this: if a ray of light came out of the sky and said, "Your next book will never be published -- would you still write it?" If the answer is yes, the book is worth writing.

MARKUS ZUSAK

"Why I Write", The Guardian, March 28, 2008


There are two kinds of characters in all fiction, the born and the synthetic. If the writer has to ask himself questions -- is he tall, is he short? -- he had better quit.

REX STOUT

The New York Times, November 15, 1953