WRITING QUOTES XXIX

quotations about writing


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I believe the most intricate plot won't matter much to readers if they don't care about the characters, especially in a series. So I try to focus hard on making each character, whether villain or hero, have an interesting flaw that readers can relate to.

JEFF ABBOTT
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Publisher's Weekly, May 30, 2011


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I don't know where the characters are going to go or what's going to happen. I know that something inevitable will happen. I know that they want certain things and they're in a certain room and they smell like this and they look like that. More often than not, an entropy creeps in that strangles me, and then the inevitable happens. I don't know if I have the ability to write an ending like My Fair Lady's, when everyone gets what they want after a few minor conflicts. If I tried to write that it would just be false. Or I'd have someone enter with a machine gun.

ADAM RAPP

interview, Bomb Magazine, spring 2006


Writing is a conversation, to me. The best kind. You can't get interrupted.

GERALD ASHER

speech at the Symposium for Professional Wine Writers, February 2011

Tags: Gerald Asher


Most writers -- poets in especial -- prefer having it understood that they compose by a species of fine frenzy -- an ecstatic intuition -- and would positively shudder at letting the public take a peep behind the scenes, at the elaborate and vacillating crudities of thought -- at the true purposes seized only at the last moment -- at the innumerable glimpses of idea that arrived not at the maturity of full view -- at the fully matured fancies discarded in despair as unmanageable -- at the cautious selections and rejections -- at the painful erasures and interpolations -- in a word, at the wheels and pinions -- the tackle for scene-shifting -- the step-ladders and demon-traps -- the cock's feathers, the red paint and the black patches, which, in ninety-nine cases out of the hundred, constitute the properties of the literary histrio.

EDGAR ALLAN POE

"The Philosophy of Composition"


In order to write the novel I'm committed to, I have to pretend that it's not only separate from everything I've written before, but also separate from anything anyone in the history of the universe has written. This is a grotesque delusion and a crass vanity, but also a creative necessity.

JULIAN BARNES

The Paris Review, winter 2000


Pay attention only to the form; emotion will come spontaneously to inhabit it. A perfect dwelling always finds an inhabitant. The artist's business is to build the dwelling; as for the inhabitant, it is up to the reader to provide him.

ANDRE GIDE

Pretexts: Reflections on Literature and Morality

Tags: André Gide


The most essential gift for a good writer is a built-in, shock-proof, shit detector. This is the writer's radar and all great writers have had it.

ERNEST HEMINGWAY

Paris Review, spring 1958


I can't write five words but that I change seven.

DOROTHY PARKER

The Paris Review, summer 1956


The old, slow, creaking descriptions are a thing of the past; today the rule is brevity -- but every word must be supercharged, high-voltage.

YEVGENY ZAMYATIN

A Soviet Heretic

Tags: Yevgeny Zamyatin


Writing is a weird thing because we can read, we know how to write a sentence. It's not like a trumpet where you have to get some skill before you can even produce a sound. It's misleading because it's hard to make stories. It seems like it should be easy to do but it's not. The more you write, the better you're going to get. Write and write and write. Try not to be hard on yourself.

GAIL CARSON LEVINE

interview, RIF Reading Planet

Tags: Gail Carson Levine


Whenever they tell me children want this sort of book and children need this sort of writing, I am going to smile politely and shut my earlids. I am a writer, not a caterer. There are plenty of caterers. But what children most want and need is what we and they don't know they want and don't think they need, and only writers can offer it to them.

URSULA K. LE GUIN

"A Message About Messages", CBC Magazine

Tags: Ursula K. Le Guin


The same common-sense which makes an author write good things, makes him dread they are not good enough to deserve reading.

JEAN DE LA BRUYÈRE

"Of Works of the Mind", Les Caractères

Tags: Jean de La Bruyère


Even though language has its richness the relationship between language and the writer is always like a stone and you have to make the stone human.

CARMEN BOULLOSA

Journal of Latin American Cultural Studies, Vol. 4, No. 2, 1995

Tags: Carmen Boullosa


Gotta have a head like a wrecking ball, a spirit like one of them punching clown dummies that always weeble-wobbles back up to standing. This takes time. Stories need to find the right home, the right audience. Stick with it. Quitting is for sad pandas.

CHUCK WENDIG

250 Things You Should Know About Writing

Tags: Chuck Wendig


I spend a lot of time loathing the sentences that I put down on the page. Once I'm past that phase, it doesn't really matter what the routine is (coffee shop, someone else's house, my dining room table), I'm pretty fast. I go back to the start of whatever I'm working on, every half hour or so, and revise my way back to where I left off. I have my headphones on, I'm checking email, I look at Twitter and Tumblr, and drink a lot of coffee. I need a lot of distraction to work.

KELLY LINK

interview, Electric Lit, February 6, 2015

Tags: Kelly Link


Writing is eternal,
For therein the dead heart liveth, the clay-cold tongue is eloquent,
And the quick eye of the reader is cleared by the reed of the scribe.
As a fossil in the rock, or a coin in the mortar of a ruin,
So the symbolled thoughts tell of a departed soul:
The plastic hand hath its witness in a statue, and exactitude of vision in a picture,
And so, the mind, that was among us, in its writings is embalmed.

MARTIN FARQUHAR TUPPER

Proverbial Philosophy

Tags: Martin Farquhar Tupper


You simply keep putting down one damn word after the other, as you hear them, as they come to you. You can either set brick as a laborer or as an artist.

ANNE LAMOTT

Bird by Bird

Tags: Anne Lamott


Writers are greatly respected. The intelligent public is wonderfully patient with them, continues to read them, and endures disappointment after disappointment, waiting to hear from art what it does not hear from theology, philosophy, social theory, and what it cannot hear from pure science. Out of the struggle at the center has come an immense, painful longing for a broader, more flexible, fuller, more coherent, more comprehensive account of what we human beings are, who we are and what this life is for.

SAUL BELLOW

Nobel lecture, December 12, 1976

Tags: Saul Bellow


I've heard writers talk about "discovering a voice," but for me that wasn't a problem. There were so many voices that I didn't know where to start.

SAM SHEPARD

The Paris Review

Tags: Sam Shepard


Getting out of bed of a morning has never been a problem, but I've noticed of late that my writing is better in the afternoon. The mornings are methodical, when all the blockwork and first-fix stuff takes place. The ornamentation or even de-ornamentation -- the things that separate writing from writing -- don't seem possible until later in the day, when I've established some perspective.

SIMON ARMITAGE

"Language is my enemy -- I spend my life battling with it", The Guardian, March 25, 2017