WRITING QUOTES XVIII

quotations about writing

When I write, I go to live inside the book. By which I mean, mentally I can experience everything I'm writing about. I can see it, hear its sounds, feel its heat or rain. The characters become better known to me than the closest family or friends. This makes the writing-down part very simple most of the time. I only need to describe what's already there in front of me. That said, it won't be a surprise if I add that the imagined worlds quickly become entangled with the so-called reality of this one. Since I write almost every day, and I think (and dream) constantly about my work, it occurs to me I must spend more time in all these places than here.

TANITH LEE

author's note, Wolf Tower


I cannot and do not live in the world of discretion, not as a writer, anyway. I would prefer to, I assure you -- it would make life easier. But discretion is, unfortunately, not for novelists.

PHILIP ROTH

Deception: A Novel


Everybody writes a book too many.

MORDECAI RICHLER

"Sayings of the Week", The Observor, January 9, 1985

Tags: Mordecai Richler


The man, the writer, the instrument of the creation will die, but his creation does not die.

LUIGI PIRANDELLO

Six Characters in Search of an Author

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It didn't occur to me that my books would be widely read at all, and that enabled me to write anything I wanted to. And even once I realized that they were being read, I still wrote as if I were writing in secret. That's how one has to write anyway--in secret.

LOUISE ERDRICH

The Paris Review, winter 2010


To refer even in passing to unpublished or struggling authors and their problems is to put oneself at some risk, so I will say here and now that any unsolicited manuscripts or typescripts sent to me will be destroyed unread. You must make your way yourself. Why you should be so set on the nearly always disappointing profession is a puzzling question.

KINGSLEY AMIS

The Amis Collection: Selected Non-fiction

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Well, I don't ever leave out details, in that I don't come up with information or description which I don't then use. I only ever come up with what seems to me absolutely essential to make the story work. I'm not usually an overwriter. As I revise, it's usually a matter of adding in as much vivid details as seem necessary to make the story come clear without slowing down the momentum of the story.

KELLY LINK

interview, Apex Magazine, July 2, 2013

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I don't suppose a writing man ever really gets rid of his old crocus-yellow neckties. Sooner or later, I think, they show up in his prose, and there isn't a hell of a lot he can do about it.

J. D. SALINGER

"Seymour: An Introduction"

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When I am asked how or why I wrote this or that, I always find myself quite embarassed. I would gladly furnish not merely the questioner, but myself as well, with an exhaustive answer, but can never do so. I cannot recreate the context in its entirety, yet I wish that I could, so that at least the literature I myself make might be made slightly less of a mysterious process than bridge-building and bread-baking.

HEINRICH BÖLL

Nobel Lecture, May 2, 1973

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A story has no beginning or end: arbitrarily one chooses that moment from which to look back or from which to look ahead.

GRAHAM GREENE

The End of the Affair

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Writers aren't people exactly. Or, if they're any good, they're a whole lot of people trying so hard to be one person. It's like actors, who try so pathetically not to look in mirrors. Who lean backward trying--only to see their faces in the reflecting chandeliers.

F. SCOTT FITZGERALD

The Last Tycoon

Tags: F. Scott Fitzgerald


I believe so. In its beginning, dialogue's the easiest thing in the world to write when you have a good ear, which I think I have. But as it goes on, it's the most difficult, because it has so many ways to function. Sometimes I needed to make a speech do three or four or five things at once--reveal what the character said but also what he thought he said, what he hid, what others were going to think he meant, and what they misunderstood, and so forth--all in his single speech. And the speech would have to keep the essence of this one character, his whole particular outlook in concentrated form. This isn't to say I succeeded. But I guess it explains why dialogue gives me my greatest pleasure in writing.

EUDORA WELTY

The Paris Review, fall 1972


I think a writer's job is to provoke questions. I like to think that if someone's read a book of mine, they've had--I don't know what--the literary equivalent of a shower. Something that would start them thinking in a slightly different way perhaps. That's what I think writers are for. This is what our function is.

DORIS LESSING

The Paris Review, spring 1988


I tend to be very much a planner. I mean obviously details veer in the telling all the time, that's clearly the case, but in terms of the broad architecture of a book I plot carefully and if things start to veer halfway through, I tend to stop and either pull them back on course, or if I realize they are going in a better direction, I extrapolate and work out what effect this is going to have further down. I am not one of these writers who is able to enjoy flying by the sit of my pants. And there's no value judgment there, incidentally. I am very well aware that some absolutely fantastic, wonderful writers do that. For me, no, I cannot do it. I have to plan quite meticulously.

CHINA MIÉVILLE

"In a Carapace of Light: A Conversation with China Miéville", Clarkesworld


If you over-plot your book you strangle your characters. Your characters have to have enough freedom and life to be able to surprise you.

ALAN LIGHTMAN

interview, Identity Theory, November 16, 2000

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Writing is a kind of centering, a kind of meditation. I find it to be profoundly rewarding. Actually, I'm an addict. If I go too long, and so far that hasn't been longer than a week, I start to feel unsettled, nervous. I begin to feel that I'm not engaged, a disconnection is threatening my world, that I'm being passed by and I'm both failing myself and the world by not writing about it.

WALTER BARGEN

"An interview with Walter Bargen, first poet laureate of Missouri"

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To leave the reader free to decide what your work means, that's the real art; it makes the work inexhaustible.

URSULA K. LE GUIN

The Guardian, December 17, 2005

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Writers cannot let themselves be servants of the official mythology. They have to, whatever the cost, say what truth they have to say.

TOBIAS WOLFF

Continuum, summer 1998

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If you're writing about a character, if he's a powerful character, unless you give him vulnerability I don't think he'll be as interesting to the reader.

STAN LEE

interview, March 13, 2006

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I write from a thorough conviction that it is the duty of me, and with the belief that, after every drawback and shortcoming, I do my best, all things considered--that is for me, and, so being, the not being listened to by one human creature would, I hope, in nowise affect me.

ROBERT BROWNING

letter to Elizabeth Barrett, February 11, 1845

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